![]() ![]() Finally, “Little Shop of Terror” beautifully combines Hülsbeck’s talent as a piano writer with ghostly synth work. It is highly effective in context and brings a lot of mood and drama to the game. “Better Off Undead” is the most tense and atmospheric of the gameplay tracks, achieving a great arch over its playtime. The melody is quite similar to the main theme, but this time uses a descending pattern instead, allowing both continuity and variety. “They Come At Night” is a parody of old horror movies with its boundless opening synthpads and gothic rock centre. The rest of the soundtrack essentially maintains this dark retro pop feel. Overall, it is great to see the composer return to his roots after some more explorative orchestral and electronic works recently. The melody isn’t quite as good, but is still memorable and fitting for the game. With big synthpads, epic drum beats, and a bold melody, the resultant theme is highly reminiscent of his best from Turrican. 80s pop influences are very obvious here and they’re entirely likeable. Perhaps the best feature of ZombieSmash!‘s soundtrack is how it inspires memories of Hülsbeck’s Amiga classics. Hülsbeck’s record label recently released an EP featuring compositions and remixes from the title on iTunes. The most notable of these so far is ZombieSmash!, a best selling parody of survival horror games for the iPhone. Chris Hülsbeck is back!! Following the disbandment of Factor 5, the famed Amiga composer returned to his freelance roots and started working on a range of projects. ![]()
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